The 2013 Chicago Flower and Garden Show

The Chicago Flower and Garden show logo by the entrance.

Spring is in the air and there's no better indication of that other than being in the Chicago Flower and Garden show. This years theme is called "The Art of Gardening". We always go at the first day of the show. This year they have a lot of stuff going on. Here are my favorite areas of the show this year:

Footwear: Women's Stories - This area displays footwear created by members of Women's Journeys in Fiber. The footwear displayed are crafted with different materials...from leather to buns and hotdogs...yes you read that right....BUNS AND HOTDOGS. you have to go see it to believe it. I had a very enjoyable time just walking through the displays and taking photos of them.

One of the cakes on display in the show.

Another cake on display.

The Water Sonata - This area displays a garden full of water...from fountains to mini ponds.  Complete with Koi fishes and a turtle! The scenery was very calming. A very nice place to grab an idea if you own a home with a big garden.

A very cool metal sculpture of frogs. 

The Tulip display.

Think inside the box - This area has displays of plant life and art put together in a box. The displays range from vegetables and plant life made out of sheet metal to animals meticulously sculpted from a metallic material. Pretty neat stuff.

The Art on the Farm display.

Tablescapes: An Art-Full Table - Every year they have an area where the display some table arrangements with a theme. From weddings to a specific culture themed tables, this years display was I think one of the best compared to previous years. One of my favorite one was an asian inspired table arrangement.

One of the Tablescapes display. 

A piano and trumpets converted to be water fountains.

Art on the Farm - This area displays edible plant life that can also be used to create a very artsy garden. The plethora of colors, textures, and shapes contribute to making the garden pleasing to eye. I've never seen vegetables arranged in such a big area that it becomes a functional garden and at the same time attractive.

One of the Tablescapes display.

Canvas of Tulips - Now here is where the photographers congregate. I made sure I brought my Canon 17-40mm f/4L and my 100mm macro to enjoy this area. The tulips were so nicely arranged that you'd spend hours photographing them.

An asian themed Tablescapes display.

The Artist palette tulip display.

Took this from the tulip area.

Another one of my tulip shots

Of course...the Marketplace!

The Marketplace - This is usually the last stop for us every year before we leave the show. Tons of merchants introducing new products and crafts...from hoses to portable speakers. They even have a wine area where you can sample wines or just sit down and enjoy the show.

This beautiful display is in the Veris display.

One of the most awesome cakes in the show.

The Photo contest - This area had a lot more photo entries compared to previous years. The walls were decorated with graffiti that has a Chicago theme in it. I managed to snatch a best in class photo ribbon. Next year I'm going for the best in show.

A display from Footwear: women's stories.

A depiction of Hiking Shoes.

They also have display cakes from different bakeshops specializing in made to order cakes. From Tomato boxes to artist themed cakes, you'd actually feel bad cutting them in pieces if you ordered one for yourself.

One of my favorite designs in the shoe display.

This one was very artsy.

There are other stuff in the show that I forgot to mention that we went to but I don't really have the time to write about them here. All I can say is that we enjoyed the event and I always recommend to my friends to go and visit.

Another cool shoe display

This is a closeup of the piano fountain in the show. 

The show runs from March 9-17 at the Chicago Navy Pier. If you decide to go, don't forget to bring your camera. Details on the show can be found at the show website at:

http://www.chicagoflower.com/

The photo contest area.

This is painted on the walls surrounding the photo area.

One of the best displays at the Think Inside the Box area. 

This display is of a giraffe made out of metal.

Shooting through a glass window

Winter is here and oftentimes it really is very cold to go out and shoot, especially wildlife. The day I shot these shots, I woke up and looked out my window, and there were a ton of birds eating in our bird feeders outside our house. It is really nice to have a bird feeder especially during winter to keep the birds well fed when food is rare during this cold time of the year. 

Perfect timing to get two birds in one shot.

So I cleaned one of the glass panels near our door with glass cleaner to take dirt and smudges off the glass so I can view the birds clearer through it. I grabbed my Canon 6D and attached my Canon 400mm f/5.6 lens to it so I have enough reach to shoot the birds outside.

This bird was really persistent on hanging on to the feeder.

I knelt down behind the glass panel and started to view the birds through my viewfinder. With a 400mm attached, I had to back up a bit from the glass panel to properly frame the birds. When I finally got in position I now began to set my settings in the camera.

This guy was waiting for its turn to eat.

I set my mode to shutter priority. Birds are fast moving animals so I am going to need a fast shutter speed for these shots. Also considering I'm using a 400mm lens, the faster shutter speed will minimize the camera shake when I take shots. I set my speed to around 400th/sec. I am not moving that much as I was kneeling down behind the glass panel, If I was standing up or moving I would've used a shutter speed that's faster than 400th/ sec. I also set my ISO to 320 which is enough to give me an aperture of around f/5.6 to around f/8...my lens is an f/5.6 lens so I had to put that into consideration. Also since I was shooting in snow I had to bump up my exposure compensation to +1 because snow will affect my metering to underexpose because the camera thinks that I am shooting in bright light.

In situations where you need to shoot behind glass, set your focus to MANUAL mode. By doing this you have the control on which to focus on instead of the camera focusing on the glass panel. You have to be quick enough to refocus when your subject moves though. It's hard at first but it's really to get used to.

After a bit of post processing, I saturated the colors a bit and gave the subjects more pop. I was glad to not go out into the cold to capture these shots.

Masterpiece Thundercracker Transformer

Masterpiece Thundercracker Transformer

As a toy collector I was delighted to see that they finally released the Masterpiece Thundercracker Transformer as a ToysRus exclusive. The Takara version of it (Japan version) has become way too expensive for me...around $200 and higher from independent sellers. So when this was released here I snagged a copy right away before the prices go up.

After getting the toy about 4 days later, I set it up in the studio. For studio shots like this, I use the Canon 100mm f/2.8 macro for maximum sharpness. Working in a studio for shots like this, you don't really need a zoom lens since the subject isn't moving at all. Prime lenses are excellent for these kinds of scenarios so primes are my primary choices for product shots like this. I have a small studio so when my 100mm is too close for the subject and I don't have any more room to move, I switch to my 50mm.

 As usual I used 3 strobes for this shot. Two strobes on each side and one on top. I used the strobe on my left side as my main light and the right one for fill. For the fill I usually set the power to half or less of what my main lights power is. The top light is just used to create some shadows to make the subject more three dimensional and not flat.

For studio shots like this I usually set my shutter speed to 100th/sec which is enough for static subjects like this. For photographing droplets or something moving, I usually use a higher shutter speed. I adjusted my fstop according to my lighting and ended up somewhere between f/5.6 to f/7.1. My average was around 6.3. With that range I get enough depth of field without me being worried about diffraction, which sets in at narrower fstops.

I love photographing objects like these because of the contours of the subject. The contours show up depending on your lighting. When photographing objects like these just make sure that the shadow areas aren't really heavy and not totally black..not unless you are looking for that kind of look.

 After shooting, post processing always brings out more details. The contours seem to pop more and the colors become more vibrant. Just be careful not to over process as doing that makes the shot look very artificial.

Macro with a water drop

 For a photo contest I am entering this week I decided to do a macro shot of a drop of water with a reflection of a rose. The shot had to be really precise as the water drop should be really in focus. In this situation there are things you have to remember, you have to keep your camera really steady, the light should be enough for you to close down the aperture of your lens to get the maximum depth of field, and you should be using a lens that will get you close enough to see the little drop of water.

For this shot here are the equipment I used:
Canon 6D body
Yong nuo wireless flash trigger
Canon 100mm f/2.8 macro USM lens
Canon 430ex II speedlite
light stand
Manfrotto 190XPROB Pro Aluminum Tripod
Yellow/orange paper background
Studio clamp

I setup my camera on my tripod. The Manfrotto 190XPROB Pro Aluminum Tripod is an excellent tripod to use for this kind of shot because it lets you setup your camera forward to whatever you are shooting. I needed that extra reach forward so my subject is closer to my lens without the tripod legs getting in the way. I then placed a rose bouquet in front of my lens so I have a leaf that I can put water on for my droplet. I then placed another rose on a studio clamp and placed it behind the first bouquet...this rose is the rose that will be showing up on the water drop that I will photograph. I then placed my colored paper behind the 2nd rose.

The simple setup for this shot.

I then placed my speedlite on my Yongnuo wireless receiver so I can trigger it wirelessly from my camera. I set the flash to manual mode and set my flash to around 1/2 power. The flash was placed on the right side of the subject rose. I then aimed it towards my 2nd rose. I then placed my tripod with the camera in front of the rose bouquet. I set the focus to manual and then I focused on the leaf where I'm putting my water droplet at. I then sprayed the leaf with water till the water was heavy enough to form a drop on it's lowest point.

It takes a while to find the perfect placement.

I then used liveview to focus my lens into the droplet. Liveview allows you to zoom in to whatever you are focusing which is really helpful when photographing something small. When I got the perfect position for everything, I then tried some test shots to see how much light I needed for my shot. I ended up with an f11 aperture which was enough coverage for a shot like this. When everything was in place, I triggered my camera using my smartphone so I wouldn't have to touch the camera and prevent it from moving...a very useful feature of the 6D that other cameras don't have.

The final shot.

It is a very simple setup with outstanding results. I printed it out on luster paper and the results were outstanding.

MeFoto A1340 Tripod

MeFoto A1340 Tripod.

For a recent trip to florida I needed a tripod that is light, small, and converts to a monopod that is pretty cheap on the budget. I needed to fit this into my Lowerpro Vertex 300 when I go and take nature and bird shots, so a large tripod just won't work. I was looking at those HorusBennu tripods but I didn't have time to wait for 2 weeks since the HorusBennu tripods usually come from overseas. I needed one in like a week or so.

Pretty stable even when on its minimum height.

So I found the MeFoto A1340 tripods online. They were just released when I saw them. I found the older MeFoto tripods once online and the colors were pretty attractive and that's what basically caught my attention. I did research and found out that the MeFoto tripods are made by Benro. Couple of month ago I wanted to get a Benro ballhead for one of my tripods, I was thinking of getting the new MeFoto tripod and getting the ballhead at the same time. Well the MeFoto A1340 includes everything that you'll need for your setup.

The twist lock system found in many tripods.

I ordered it online and got it within a week. These average from $150-$250 depending on where you get it. I got mine pretty cheap at $149 so I can't complain. I got my package and was surprised at how good the packaging was. The tripod included a carrying case with a strap. The carrying case is pretty well made. Also included in the pocket of the carrying case was an allen wrench for tightening the screws on the legs, and the spikes that you put in the feet to keep the feet planted into soft surface like grass or earth.

The leg angle is adjustable by pulling the locks.

The tripod features a twist lock locking system for the legs. As I mentioned before in an earlier post, a lot of photographers don't like the twist lock system for tripods. In my opinion it's just a matter of getting used to it. I kinda liked it on my monopod and in my new MeFoto tripod, it's not too bad at all. Right now I am used to either the twist lock or the usual tab lock found in other tripods.

The ballhead is really nice.

The leg angles can be adjusted with the locks that are on the top of the legs that attach to the main body. Just pull, adjust, then push back. One nice thing about the MeFoto A1340 is when it's folded all the way with the midpart tucked in, the total length for it is around 17 inches...with the ballhead attached. It actually fits in really nice inside my suitcase. It is one of the reasons I bought this. Fully extended, the tripods height is around 62 inches.

Really compact when folded.

The MeFoto A1340 converts to a monopod when you need one. It's actually buying two things in one. One of the legs unscrews and attaches to the middle tube that holds the ballhead. The bottom cap that includes the hook that attaches to the middle tube attaches to one of the legs when in monopod mode so you don't lose it. The monopod isn't too bad at all. I carried the monopod almost all day everyday in Florida when I shoot birds, and it did its job. The only gripe I had with the monopod is that it is not as compact as a real monopod which folds down to like 17 inches. Also the foam part isn't as high as it is on a real monopod which is really useful when carrying the monopod with your camera on in your shoulders. The foam part makes the monopod comfortable to carry because it cushions the metal tube against your shoulder. If you're really uncomfortable then I suggest getting an actual standalone monopod for that...or you can attach foam into the middle tube of the MeFoto A1340.

The bottom cap attaches to one leg when in monopod mode.

The ballhead that comes with the MeFoto A1340 is really nice. It feels like a higher priced ballhead. I suppose it's because it's made by Benro which is one of the best ballhead manufacturers around. The ballhead features 3 knob adjustments for rotation, ballhead position and friction...which is pretty handy when doing macro shots. The Arca swiss compatible mount has a bubble level. The lock for the mount feels nice too. The ballhead does not slip when tightened, even with a larger lens mounted on the body. The ballhead includes an Arca swiss compatible plate that has screws on the side to prevent slippage when the mount isn't tightened all the way. Although you'd have to unscrew these if you are using the plate with other Arca swiss compatible ballheads because it's not universal.

Easily becomes a monopod.

The tripod feels solid for being a travel tripod. Although it is not as stable as higher end tripods from Manfrotto, Gitzo or other more expensive tripods, it is pretty good for its price. It feels like its more expensive that what it really is. I've tried this with a 70-200 2.8 lens attached to my 5D MK2 as well as a 400mm f5.6 and the tripod still feels pretty stable even when fully extended. The best thing I liked about this tripod is the ballhead and the monopod conversion. For around $200 you really can't beat having a monopod and a tripod in one.

BlackRapid RS-Sport-2

BlackRapid RS-Sport-2

Using the stock camera strap that came with your camera isn't bad...when you are using the kit lens that came with it or any other lenses that are less than a pound in weight, or when going on a not so lengthy walk just taking snapshots of whatever. When you are going hiking with a 70-200mm f/2.8 lens attached to your body with the strap around the back of your neck you've got a problem. That weight tugging on your neck can give you neck strain that will stay with you for a couple of days...that's bad news when you're on vacation or on a trip.

The "R" logo that comes with the BlackRapid straps.

After using the BlackRapid RS-Sport strap, I swore to never go back to using the stock strap that came with my cameras. In fact I still have the stock strap that came with my 6D still brand new in packaging. I'm pretty sure that I'm never gonna bother using that anymore.

  

The RS-Sport-2 comes with a strap that goes under your arm.

BlackRapid straps are awesome for comfort. This is because the strap never goes around the back of your neck. It goes around your shoulder down to the bottom of your right waist. The shoulder supports the strap instead of your neck which is more comfortable. This relieves the wearer from neck pain.

Just grab and go when you are ready.

The BlackRapid RS-Sport-2 includes a strap that goes under your arm that prevents the strap from moving while you walk or take a shot with your camera. It keeps the strap in its original position no matter what. That's the difference of the Sport series strap from the regular BlackRapid strap such as the cargo, classic or curve. Other than that everything is pretty much the same.

The strap doesn't move and stays in place.

The strap comes with the BlackRapid Connectr (CR-2) which clamps on to the Fastenr (FR-3) which attaches to the tripod mount screw underneath your camera body. The mount is secure...so far I've never had my camera fall when I attach it to the RS-Sport-2. One thing you have to remember is to make sure you screw the safety lock in the Connectr when you attach it to the Fastenr, failing to do so may accidentally release your camera body from the strap. The camera basically weighs itself down when you're not holding it. It's kinda awkward at first but I got so used to it that I even attach a 400mm lens with my camera body attached to it and it still feels pretty secure.

The camera will weigh itself down when you're not holding it.

The RS-Sport-2 is nicely padded for that extra comfort that you need when taking long walks and hikes. I've brought mine to a hike for a couple of hours and I never felt any discomfort in my shoulders after.

The RS-Sport-2 comes with the box, strap, and the Fastenr that attaches to your camera.

The BlackRapid RS-Sport-2 is around $69 online. It comes with everything that you need to securely attach it to your camera. Try one and you'll never go back to your old strap. I highly recommend it. For more information about BlackRapid straps, check their link here.